Asia, India, Maharashtra, Pune district, 4 km north from Junnar, southern slope of the steep Sulaiman Pahar hill, overlooking the valley of River Kukadi
Lenyandri, Ganesh Lena, Jeernapur, Lekhan parvat
Name in Marathi:
1st - 3rd century AD
Area around Junnar contains more than 200 ancient rock-cut temples. The largest and most impressive group is Lenyadri Caves known also as Ganesh Lena. These caves are located to the north from Junnar, on southern hillside of large mountain called Sulaiman Pahar or, after the Ganesha shrine in one of the caves - Ganesh Pahar. Ancient inscription in one cave calls the hill - Kapichita (Kapichitta).
Word "Lenyadri" could be translated simply as "mountain cave". This word is compiled from "Lena" ("Cave" in Marathi) and "adri" ("stone", "resistant" in Sanskrit).
Lenyadri contains nearly 40 rock-cut caves. The best known and most visited is a group of 30 caves located in a compact group and all facing towards the south.
These caves have been created in 1st - 3rd century AD as a Buddhist monastery. Later one of the Buddhist dwellings was turned into a popular shrine of Hindu god Ganesh.
Caves are reached by stepping 283 stone cut steps arranged in ten flights, built in 19th century. Visitors of Ganesh temple see this as a symbol of sensual pleasures which Ganesh had to overcome.
Buddhists created these caves according to the canon of time - Hinayana. Group of 30 caves contains two large shrines - chaitya griha and one small chaitya. Other caves were created as dwellings for monks - viharas. Most viharas consist of verandah, central hall and cells arranged around the central hall.
As it is usual for Indian rock-cut caves, the caves in the main group are numbered, in this site from the east to the west.
Hill contains four more rock-cut caves which seem to be older than the caves in the main group. One of these caves is small chaitya with entrance carved decoration - lotus, geometric patterns. Other caves also contain shrines.
Lenyadri caves have preserved traces of ancient cave paintings and inscriptions.
Cave 1 has a cistern in front, filled with earth.
Cave 5 has cistern in front. Seven cells around the central hall. Rear wall of verandah contains inscription with swastika at the end - inscription tells that this cave has been donated by merchants of corn.
Cave 6 - chaitya griha (main shrine). This was the main Buddhist shrine in this group. One of the earliest examples of Hinayana tradition chatya griha. Consists of pillared verandah and an apsidal hall which by a row of 16 pillars is divided into central nave and side aisles. Main hall is 13.3 m long, 6.7 m wide and 7.6 m high. At the rear there is located stupa - drum with a railing above. Inscription by the donor of cave from 2nd century AD.
Cave 7 - largest vihara in this group, largest man-made cave in vicinities of Junnar. Nowadays better known as important Hindu temple, although initially it was created as the dwelling of Buddhist monks.
Consists of large central hall with rows of small cells on three sides. Verandah has six pillars and two pilasters. Hall is 17.37 m long, 15.54 m wide and 3.8 m high. In total cave has 20 cells - 7 at each side wall and 6 at rear wall.
During the conversion to Hindu shrine the entrances have been enlarged and there were made sockets to fix the wooden door. Two central cells at the rear wall in unknown time have been transformed into one and here has been arranged Ganesh shrine - with image of Ganesh. It is one of eight prominent Ashtavinayak shrines in Maharashtra, in general visited as No.6 during the Ashtavinayaka pilgrimage.
After conversion to Hindu shrine this hall was covered with plaster and painting - traces of these paintings are seen up to this day. Back in 1882 whole hall was still plastered with clay and white-washed. Cave was covered with comparatively late paintings (19th century?) depicting scenes from Ganesha's life - childhood, Hallisaka dance, marriage preparations, battle with demons. Other paintings showed other Hindu deities - Vishnu, Krishna, Shiva and others.
Cave 9 - verandah had four pillars. It has been speculated that the main hall of this vihara was used as a school or study.
Cave 10 contains traces of paintings on the ceiling.
Cave 11 also contains traces of paintings on the ceiling.
Cave 12 - ceiling in the hall contains traces of painting - concentric circles.
Cave 13 has a cistern in the front. Ceiling in the hall contains traces of paintings.
Cave 14 - chaitya griha. Pillared verandah. Hall has flat roof and there are no pillars inside, it is 6.75 m long, 3.93 m wide and 4.16 m high. At the rear end there is stupa with a base diameter - 2.6 m. At the back of verandah there is inscription, the calligraphy of writing could be dated to 2nd century AD.
Cave 17 consists of three dwellings behind a single verandah. Cell in the middle dwelling contains traces of painting. In front of this cave and near it there are five cisterns. One cistern contains inscription - "A meritorious goft of a cistern bu Saghaka a goldsmith, son of Kudira of Kalyana." Another cistern contains inscription "A meritorious gift of a cistern by Lachhinika (wife) of Torika the Na daka Nadabalika, wife of Isimulasami."
Cave 18 is a dining hall (bhojanamandapa), cistern to the left from verandah.
Cave 22 contains inscription left by donor.
Cave 25 is comparatively large cave, not completed due to the bad condition of rock.