Great Mosque of Djenné is one of symbols of Mali and whole Africa – the largest adobe building in the world, the highest achievement of Sudano-Sahelian architecture style.
Ancient West African city
Already some 2200 years ago (!) 2 km to the south from the present city developed Jenné-Jeno – one of the oldest urban centres in Sub-Saharan Africa.
This city was on the ancient trade route between the first West African empires and Mediterranean – and thus it flourished. Back in those times the floodplains of Beni were more fertile than now, climate was milder. Caravans passed the city towards another legendary city – the 500 km distant Timbuktu (which in those times was much less significant) – and then headed into the giant Sahara desert, towards Morocco and Algiers.
Djenné developed in its present location sometimes around 1000 AD and soon turned into regional centre, a prosperous and impressive city. Some consider that it is even possible that distorted name of Djenné – Guinauha – served as a root of European term for Western Africa south of Senegal River – Guinea.
According to stories, local king Koi Komboro (the 26th king of Djenné) was converted to Islam around 1280. He ordered to destroy his palace and build a great mosque in this place. Time of this construction is unclear – this could be as late as 1330.
In Medieval times this mosque and madrassa next to it was an important centre of learning – one of most important ones in West Africa. Thousands of people came to this splendid city to gain the knowledge.
Few Europeans visited this distant (for them) city until the 19th century. Some of the first descriptions of city and mosque come from the early 19th century. Thus, French explorer René Caillié in 1828 saw an old, large building, which was rudely constructed, in bad state and abandoned. He wrote that thousands of swallows built their nests and the area was smelling badly. Locals were not happy to enter this crumbling structure and were praying in the outer court of mosque.
It is well possible that this mosque was deliberately left to decay by the ruler, recent invader Seku Amadu. He considered that this ornate building is too pompous for Islamic values. Sometimes around 1834 – 1836 he ordered to build an new, simple mosque next to the old one.
Shortly after 1893 the ruins of the old mosque were visited by French journalist Félix Dubois. In these times the interior of mosque was used as a cemetery, there were just a few parts of the old building above the ground.
Return of the old mosque
In 1906 the rebuilding of the old mosque was started. It seems, this was an initiative of local people, but also the French administration helped in the organization of public works to build the mosque and madrass next to it.
Works were directed by local mastermind Ismaila Traoré, head of the local guild of masons. The original fundament of the old mosque was used at least partly. Works were completed in 1907 or 1909.
Design of this structure surprised many Europeans. Some were amazed, some – very critical. Thus, Félix Dubois considered that this design has too much French influence. Later though it was recognized as genuine design of local people – who, after all, have longer cultural traditions than most European nations.
People in Djenné have used to multiculturality – here meet different nations and different ways of life. This is the border between the desert nomads and sedentary farmers of Sahel. City thrived on trade – and trade requires diplomacy and stability.
Thus – also the white infidels were welcome to visit the unusual mosque.
This lasted until an unlucky incident. Sometimes in the 1980s or in the 1990s a fashion photographer working for "Vogue" misused the hospitality of locals. He organized a photosession with scantily clad (how else!) women in this sacred building. Mullahs in horror watched all of this – and, alas, since then non-believers are asked to stay outside the mosque.
Elsewhere the adobe mosques have been gradually modernized – with piping, with more and more electrical systems, with modern materials. People of Djenné have been conservative (faresighted?) and have left the mosque in its original state. Thus today we see here the best, pure example of the specific local architecture – Sudano-Sahelian style.
These eforts have been rewarded – the amazing architecture is admired by tourists and is creating new working places in this poor country. There would come more tourists, if not the political instability and warfare…
Djenné today is a fast growing city, with more than 30 thousand inhabitants. City is poor – without proper sanitation, most people have not attended school.
This might be the powerty, but as well – memories about the great past, which have helped to preserve the architecture heritage. More than 2000 traditional adobe buildings have been preserved in Djenné – they are built and maintained by specialized masons – Bari. Sculptural forms of facades are not just for fun – they tell stories about the inhabitants of the house, although foreigners have no clue about this language of architecture.
Djenné is built on a floodplain island, which sometimes is inundated by Beni River. This is dangerous for adobe buildings.
In order to save the mosque, there was build an enormous, 75 by 75 m large and 3 m high platform. This platform is accessed by 6 sets of stairs – each stairs are adorned with pinnacles. Platform has never been flooded.
The open area in the front of mosque earlier was a pond. It was filled with earth at the beginning of French colonial period and now is used for the weekly market.
Wast floodplains of Beni lack wood and stones – thus local people have no possibility to use these building materials. Due to the lack of wood they can not make baked bricks.
Thus just a mud can be used – but human genius finds a solution even in such a situation!
Local buildings are built from cylindrical mud bricks, which are held together with… mud. On top of this is laid a plaster made from… mud. All of this is dried in the hot sun of Sahel.
This unusual material leads to rounded, soft forms. Adobe is not durable – it cracks from the temperature and moisture differences and is washed out by the rain. Thus regular (yearly) repairs are needed.
Sticks – scaffolding
Unique detail of large adobe buildings in Sahel are the "sticks" protruding from the walls. These are bundles of rodier palm (Borassus aethiopum) which are intentionally cut off some 60 cm from the wall.
Bundles serve for at least two purposes. First – they prevent cracks in the walls – they allow a room for wall to expand and contract in changing temperatures. Second – they serve as scaffolding for yearly repairs of mosque.
The mosque is not exact – in the plan it forms a trapezoid. Main part is the 26 by 50 m large prayer hall, which takes the eastern half of the building.
Eastern wall is directed towards Mecca and towards the main plaza. It is adorned with three massive towers – minarets, each topped with ostrich egg. The tallest (20 m) is in the middle – imam is conducting his prayers from this tower.
Wall is adorned with 18 pilasters – buttresses, each ending with a pinnacle.
Pyramidal elements in the design of Mali mosques are an interesting heritage from animist religions – these conical elements were the home of guardian spirits of ancestors.
Prayer hall is supported by nine interior walls with arches, thus creating 90 pillars inside this hall. Approximately 1000 people can fit inside.
Roof has removable ceramic bowls above vents – these are removed to let the hot air rise out from the premises.
Other half of the structure has no roof – this is open court for prayer.
Mosque is maintained in a unique yearly festival, where all people in Djenné take part.
Some days before the festivity the plastering is prepared in large pits. Boys are playing in this mud to stir it – this should be exactly the job each boy is dreaming about!
Adults also have their share of fun. In the day when repairs are done, much food is prepared. Masons take their positions on the scaffoldings and a race starts – who will be the first to bring the fresh plaster to the mosque.
Everyone is involved in this great and merry happening – and in no time the mosque looks like freshly built.
|Coordinates:||13.9052 N 4.5553 W|
|Values:||Art, Architecture, History|
|Address:||Africa, Mali, Mopti, centre of Djenné city|
|UNESCO World Heritage status:||Part of "Old Towns of Djenné", 1988, No.116|
|Age:||1906 – 1907 (1909?)|
It is well possible that the most romantic African country is Mali. Like many countries in this beautiful continent, Mali nowadays has complex times, but in the past it has seen prosperity, flourishing of science and political importance. Here developed several empires, were built enormous cities. Traces of those times have been preserved up to this day – in the highly unusual architecture, living traditions, ruins of once prosperous cities and art monuments.
Place for worship in Islam is called mosque. Mosques serve also for education, news exchange, dispute settling.
Initially, in the 7th century mosques were unpretentious, large halls for gatherings. Over the time, as Islam was spreading, there developed diverse, locally adapted architectural forms of mosques.
Many think that sub-Saharan African architecture is little more than mud huts. Mud, yes–but certainly not huts. Instead, these adobe buildings, many of them enormous, show sublime sculptural beauty, variety, ingenuity, and originality. In the Sahal region of western Africa–Mali, Niger, Nigeria, Togo, Benin, Ghana, and Burkina Faso–people have been constructing earthen buildings for centuries.
Spectacular Vernacular: The Adobe Tradition celebrates the beauty, variety, and efficiency of traditional adobe architecture in West Africa, Southwest Asia, and the American Southwest. In the severe desert climates of these areas, centuries of working with mud in the construction of homes, mosques, and whole villages have given rise to a remarkable range of styles and forms as visually stunning as any fabled city of myth and imagination – or any postmodern metropolis.