85.6151 E (mistake up to 4000 m)
79 (list of all attractions)
Petroglyphs and rock art, Hindu shrines, Caves
||Art, Architecture, History, Archaeology
Asia, India, Orissa, Kendujhar district, near Sitabinji
||Ravanachhaya, Sitabinj, Sitabhinji
||circa 4 - 6 c. AD, painting circa 7th c. AD
There is an unsighty gap between two giant boulders near Sitabinji - small village with exciting history, named after Sita stream flowing nearby. This shelter is the famous Ravana Chhaya - natural shelter which contains unique artwork - some 1,300 - 1,500 years old tempera painting.
Gap between boulders
The name of the shelter - "Ravana Chhaya" - can be explained in different ways - while direct translation is "shadow of Ravana" (mythical, influential negative hero in Ramayana), in Orissa this means also a specific performance by shadow puppets.
Shelter has been formed by two giant granite boulders - the larger one leaning over the somewhat smaller one and forming a wedge-shaped gap between. This gap is up to 6.7 m high and 4.7 m deep. It provides deep shade what certainly has helped to preserve the valuable artwork.
This cave seems to be well known to people well before the painting appeared in it - thus, for example, it has been used by Shiva ascetics circa 4th - 6th c. AD. Their object of worship was Mukhalinga (Mukha Linga) - linga with four faces of Shiva, still located in Sitabinji. This Mukhalinga is referred in nearby inscriptions - these inscriptions serve as a proof that Shaivaism was dominant in Orissa already by 5th century AD.
The site contains fragments of brick from unidentified structure as well - these remnants contain Pali inscriptions. There are reported finds of Kushan coins and soapstone figurine as well - thus once upon a time Sitabinji may have been a lively and active place.
Not too far from this site there are rock shelters with much older drawings from Mesolithic period. This artwork sometimes is referred as "paintings of Sitabinji" as well.
The tempera painting of Ravana Chhaya was made circa 7th c AD in high artistic and technical quality. Before applying tempera (fast drying color) the rough surface of granite was smoothened with a thin coating of lime.
This drawing seems to have rather little in common with Hindu religion. It shows royal procession - royal figure seated on elephant and with a sword in hand, followed by an attendant women. A band of footmen lead this procession, then follow horsemen and a dancing women.
The theme has led to theory that this shelter was a royal hunting retreat.
Below the painting there is a line of painted writing in Sanskrit from 7th century - it reads the name of the king as Maharaja Sri Disabhanja.
This king could be the earliest Bhanja king - Bhanja dynasty started to rule in Orissa circa 4th - 5th century AD.
In order to protect the painting from water there has been chiseled a protective groove above the painting. Unfortunately the lover part of painting is lost - attesting that it was wise to locate such artwork well above the reach of general visitors.