Gap between boulders
The name of the shelter – "Ravana Chhaya" – can be explained in different ways – while direct translation is "shadow of Ravana" (mythical, influential negative hero in Ramayana), in Orissa this means also a specific performance by shadow puppets.
Shelter has been formed by two giant granite boulders – the larger one leaning over the somewhat smaller one and forming a wedge-shaped gap between. This gap is up to 6.7 m high and 4.7 m deep. It provides deep shade what certainly has helped to preserve the valuable artwork.
Values of history
This cave seems to be well known to people well before the painting appeared in it – thus, for example, it has been used by Shiva ascetics around the 4th – 6th century AD. Their object of worship was Mukhalinga (Mukha Linga) – linga with four faces of Shiva, still located in Sitabinji. This Mukhalinga is referred in nearby inscriptions – these inscriptions serve as a proof that Shaivaism was dominant in Orissa already by the 5th century AD.
The site contains fragments of brick from unidentified structure as well – these remnants contain Pali inscriptions. There are reported finds of Kushan coins and soapstone figurine as well – thus once upon a time Sitabinji may have been a lively and active place.
Not too far from this site there are rock shelters with much older drawings from Mesolithic period. This artwork sometimes is referred as "paintings of Sitabinji" as well.
The tempera painting of Ravana Chhaya was made around the 7th century AD in high artistic and technical quality. Before applying tempera (fast drying color) the rough surface of granite was smoothened with a thin coating of lime.
This drawing seems to have rather little in common with Hindu religion. It shows royal procession – royal figure seated on elephant and with a sword in hand, followed by an attendant women. A band of footmen lead this procession, then follow horsemen and a dancing women.
The theme has led to theory that this shelter was a royal hunting retreat.
Below the painting there is a line of painted writing in Sanskrit from the 7th century – it reads the name of the king as Maharaja Sri Disabhanja.
This king could be the earliest Bhanja king – Bhanja dynasty started to rule in Orissa around the 4th – 5th century AD.
In order to protect the painting from water there has been chiseled a protective groove above the painting. Unfortunately the lower part of painting is lost – attesting that it was wise to locate such artwork well above the reach of general visitors.
Ravana Chhaya rock shelter is included in the following list:
- Paul Yule, Early Historic Sites in Orissa, page 17. Accessed in 23 May 2010.
|Coordinates:||21.5999 N 85.6151 E (mistake up to 4000 m)|
|Categories:||Hindu shrines, Caves, Petroglyphs and rock art|
|Values:||Art, Architecture, History, Archaeology|
|Rating:||(2 / 5)|
|Address:||Asia, India, Orissa, Kendujhar district, near Sitabinji|
|Alternate names:||Ravanachhaya, Sitabinj, Sitabhinji|
|Age:||around the 4th – 6th century AD, painting around the 7th century AD|
India is seventh largest country of world by area, and, naturally such a large area contains huge amount of exciting attractions…
Wondermondo considers that India is the second richest centre of architectural heritage in the world after Europe and maybe no single country of the world can match it in this respect.
This is the one book you need to understand the spirit of India. Internationally acclaimed as the best book of its type on India, this sixth expanded, revised edition of the multi-award winning book India Unveiled: Spirit, Tradition, People by Robert Arnett truly reveals the diversity and sacredness of the oldest continuously living civilization on earth.
A spiritual history of the world’s most religiously complex and diverse society, from one of Harvard’s most respected scholars.