Elephanta Caves - seven ancient rock-cut chambers
|Coordinates:||18.9634 N 72.9313 E|
|No:||35 (list of all attractions)|
|Categories:||Hindu shrines, Buddhist shrines, Rock cut architecture|
|Values:||Art, Architecture, History, Archaeology|
|Address:||Asia, India, Maharashtra, Elephanta Island in Mumbai Harbour, less than 10 km east from Mumbai|
|Name in Marathi:||घारापुरीच्या लेण्या|
|Age:||Between 5th - 8th c. AD|
|UNESCO World Heritage status:||1987, No.244|
Elephanta Caves, map.
Gatis Pāvils, CC-BY-SA-3.0
Ricardo Martins, Flickr / CC BY 2.0
Entrance in Great Cave.
Elroy Serrao, Flickr / CC BY-SA 2.0
Ardhanarisvara, Shiva shown as half men, half women.
Baishampayan Ghose, Flickr / CC BY-SA 2.0
Inside the Great Cave.
vascoplanet, Vyacheslav Argenberg, Flickr / CC BY 2.0
Dvarapalas guarding the shrine.
Ricardo Martins, Flickr / CC BY 2.0
The centre of one of the largest cities in the world – Mumbai – is just 10 kilometres away from the small, forested Elephanta Island. But forests and cliffs of Elephanta Island hide magnificent secrets – Elephanta Caves, giant chambers hewn in solid cliff and adorned with some of the most magnificent stone carvings known to be made by ancient man. Nobody knows for sure when and by whom these amazing monuments have been created. Whole caves with pillars and the beautiful artwork were made as giant sculptures – by precise carving of the solid basalt and removing it.
Small island with ancient cave temples
Elephanta Island is located in the silted Thane Creek, surrounded by the busy everyday life of the Mumbay Harbour. The island is circa 10 km2 large at high tide and circa 16 km2 large at low tide, approximately 2.4 km long. Deep ravine goes from the north to south through the island with basaltic trap hills in both sides rising up to 173 m high. Three small, densely built up villages are located closer to the shores of island but for most part the island has preserved rural landscape. Whole island is UNESCO World Heritage Monument. Gharapuri is also the older, local version of the name of Elephanta island – although an even older version was Agraharpuri.
Two groups of rock-cut cave temples are located in island – five Hindu caves and two Buddhist caves. Hindu caves are located more to the west, while the high hill to the east from ravine contains a brick stupa on top and two Buddhist caves with few rock-cut cisterns.
Caves were hewn in solid basalt – hard work even for contemporary tools. Initially caves were painted in bright colors – now the paint is gone and only traces of it remain.
Architectonic features of Elephanta cave chambers and their details suggest that cave chambers were made in the time period between 5th – 8th centuries AD. Earlier there existed an inscription in the caves or near them informing about the builder of caves – but it has been lost later, during the Portuguese times.
Popular legend states that caves were definitely not built by people but rather by mythical beings: either by Pandavas – legendary heroes of Mahabharata or by Banasura – very powerful demon.
Archaeological investigations have resulted in a find of few Kshatrapa coins from 4th century AD – but this does not directly mean that caves have been made in this time.
One likely creator of caves is Konkan Mauryas – break-away group of Mauryan dynasty. Elephanta by that time was called Puri or Purika and was a capital city. Thus it is possible that caves were shaped in the middle of 6th century by Mauryas. This is put in doubt by some researchers – Mauryan state at this time seemed to be not that powerful and influential to create such an amazing monument. It is also possible that caves were built by early Kalachuri kings – they were feudals to Konkan Mauryas. Both Kalachuris and Konkan Mauryas were followers of a Pahsupata Shaivism sect – and also the main cave temple in Elephanta is dedicated to this sect.
In 635 AD Badami Chalukyas under the great emperor Pulakesi II defeated Konkan Mauryas in a naval battle. It is possible that Chalukyas took active part in the development of the main cave in the middle of 7th century as well. Later throughout the centuries the island was owned by different rulers and most likely temple activities continued as well.
Portuguese rule and newer times
Bahadur Shah of Gujarat was the last indigenous ruler of Elephanta Island before Mumbai and its surroundings were appropriated by Portuguese in 1534. Portuguese named the island Elephanta after an impressive sculpture of elephant made in black stone. Back then this sculpture was standing on the mound to the east from Gharapuri village. Elephant collapsed in 1814 and was brought to Victoria Gardens and reassambled. Now it is located in Jijamata Udyaan zoo in Mumbai.
Portuguese rule was disastrous for Elephanta. Population on island declined and the island became forested. After thousand years long worship the Shiva temples in caves were abandoned as well. The only religious event which has survived to this day and is related to ancient cave temples is the festival of Shiva – Maha Shivaratri. Even worse – Portuguese used the beautiful sculptures in ancient cave temples for target practice. Most of statues were heavily damaged.
In 1661 the island became a part of the British Empire but cave temples remained abandoned. Time did its work – water found new paths through the cliff, gradually eliminating the achievements of ancient art. As the popularity of non-European art rised, many valuable details perished in private collections and gradually lost the track of their history.
After long years of neglect the Great Cave was renovated several times in 20th century, notably in 1970ies. Unfortunately the other caves, including three caves with important sculptures, are badly damaged. In 1987 Elephanta Caves were declared as UNESCO World Heritage site.
The Great Cave
This beautiful cave temple (named also Cave 1, Shiva Cave, Mahesha-Murti Cave) is located in hillside and is facing the ocean. Floor area of this cave is 5.600 m2, it goes 39 m deep into the basalt cliff. This cave is extremely rich with enormous, beautiful sculptures, some of these sculptures serve as symbols to whole ancient India.
In some aspects the Great Cave resembles the 8th century Kailash Temple in Ellora Caves – often there is considered that artists in both sites could be the same. Cave was used as a Hindu worship place until the Portuguese rule.
Northern entrance to temple has 1000 steep steps starting from the quayside. Entry in the cave temple leads through impressive portal with massive columns. Entrance is aligned to north-south axis what is unusual – in general Shiva temples have east-west orientation.
This cave unites the elements of Chalukyan architecture – like the massive figures of the divinities and guardians and square pillars with custom capitals which in turn have Gupta architectural features – depictions of mountains and clouds, women’s hairstyles. Main chamber (mandapa) of the cave is supported by rows of impressive pillars, each side of mandapa is approximately 27 m long. Beautiful carvings with Shiva in several forms cover each wall in the mandapa, each carving is more than 5 m high.
Inside the mandapa, to the right from the entrance there is located the central Shiva shrine – free-standing square cell with four entrances and linga in the centre. Each of the four entrances in Shiva shrine is guarded by two dvarapalas – 4.5 – 4.7 m high gate keepers. Their task is to keep the ill-intentioned visitors away. Sadly these stone giants did not perform their duties during the Portuguese times. At the east and west end of the cave there are smaller shrines – the eastern one serves as a ceremonial entrance. Cave suffered serious damage during the Portuguese times, most of sculptures were damaged by shooting. Happily the enormous, unique Trimurti sculpture was spared.
The most renowned sculpture in mandapa of the Great Cave is Trimurti (Trimurthy) – sculpture with three faces of Shiva. It is located on the south wall of mandapa and is 6.1 m high.
Trimurti resembles a Trinity of Brahma, Vishnu and Mahesh (Shiva) – royal insignia of Rashtrakutas. The image depicts a three-headed Shiva – each of the heads represents one of essential aspects of Shiva – creation, protection and destruction. Creation (Vamadeva) looks to the right, it is shown as a young, lively, vital women (?) with sensuous lips, holding something like a rose bud in hands. Destruction (Rudra-Shiva, Aghora, Bhairava) to the left, to east is shown as a young, moustached man, displaying anger. Central face (Tatpurusha) is benign, meditative, praying for the preservation of humanity, he is master of positive and negative principles of existence.
Trimurti is one of symbols of Indian culture, a masterpiece of Gupta – Chalukyan art.
Ardhanarisvara, Gangadhara and other treasures
Trimurti is flanked by sculptural groups called Ardhanarisvara on its left and Gangadhara to its right. Gangadhara is 5.2 m high and 4 m wide. It shows divinities assembled around Shiva and Parvati. The 5.11 m high Ardhanarishvara depicts a four-armed Shiva. Shiva is shown as a half male – half female.
Cave contains several more carvings of general importance to world art history including a carving of Shiva and Parvati on Mount Kailash with numerous other characters and detailed landscape features. In total there are 15 enormous panels containing art values.
Portico of eastern part of cave is guarded by seated tigers – resembling later seated lions popular up to 19th century in European manor house designs. Eastern part of cave contains also a giant statue of four-armed gate keeper with two demons – attendants.
Western wing is in bad shape, but it is also rich with stone carvings. Contains a cistern with water – possibly created by Buddhists.
More caves and other monuments
On the crest of the hill above the Great Cave there is a broken stone lion, tiger or griffin – possibly one of guards in the entrances of Great Cave. Some sources say that it was worshipped as Tiger Goddess Vaghesvari.
Hindu cave No 2. is located to the south-east from the Great Cave. It is facing east, with a chapel in its northern end. Portal of the cave is destroyed, interior has been damaged by water. The irregular chapel is supported by 4 eight-cornered columns and 2 demi-columns. Traces of sculptures remain but most of previously rich artwork has perished.
A little further to the south there is cave No 3. in even worse condition, damaged by stagnant water. Pillars in the front of rooms have been preserved, sculptures of door-keepers of shrine are partly preserved.
Near the caves in earlier times there have been found some sculptures – f.e. large sculpture of horse which disappeared in the middle of 18th century.
Across the top of the ravine from Cave 1 there is a large cave chamber – Sitabai’s Temple. Portico of this chamber has four pillars and two pilasters. Behind the hall there are three chambers, central chamber hosted shrine. Cave contained beautiful and impressive adornments up to the Portuguese rule but now rather little remains, although cave still contains valuable sculptures.
To the north from Sitabai’s cave there is small Hindu cave No 5. with verandah, it has been abandoned soon after the start of construction.
The 173 m high Stupa Hill is located in the eastern part of island. It contains two caves with Buddhist monuments and also cisterns from 3rd century AD or earlier. One of two caves is not complete. In the other cave there is stupa made in bricks.
Island contains also other remnants of buildings and artwork – after all this was a place for capital city in ancient times.
See Elephanta Caves on the map of India!